Broadway World

"The technology continues with Daniel Barber's complex lighting design and Mark Wickett's videos, the lighting blending with the equally elaborate set to create the cold, foggy, darkness of Victorian London by night, the dingy decay of Fagin's lair, and the many other locations, with dirty windows flying in to act as a screen for the videos, adding a greater reality to some moments that could not have been as effectively achieved with live performance." - Barry Lenny, Broadway World

InDaily

"Smart and multi-layered lighting. You want atmosphere, we got atmosphere, you want a light show, we got that too. All in all, it was a pleasure to see 3D lighting for a change, with dance overtones evident. Bravo, Daniel Barber, for the subtler touches." - Rob De Kok, InDaily

Glam Adelaide

"... and Daniel Barber’s excellent lighting design to produce a highly atmospheric, foggy and claustrophobic Victorian England." - Brian Godfrey, Glam Adelaide

Adelaide Theatre Guide 'Curtain Call' Award, Best Musical

Adelaide Theatre Guide 'Curtain Call' Award, Best Technical, David Lampard and Mark Wickett, Set and Projection Design